Friday, January 30, 2009

Film.

"Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames a second, darkness in between, the optic nerve incapable of registering darkness."
- Ingmar Bergman

I'll always remember "Art of Film" as one of the best classes I've taken in my high school career. It's not because we weren't tested. It's not because we had no homework. The course completely opened my eyes to film. While I'll always be a romantic comedy fan at heart, I'm definitely much more open to seeing other genres now. I've seen and loved films that I probably would have never come across in my life.

Thank you, Mr. D, for giving me the gift of film appreciation. I hope everyone who has been reading my blog has enjoyed my thoughts and opinions on the films we have seen in class. I'm truly sad to see Art of Film end and will miss everything about the class. But as one of my favorite quotes goes, "All endings are beginnings. We just don't know it at the time." This is the beginning of my film life.

Peace, love, and film,
MD

No film blog would be complete without an awards ceremony...

No need for fancy dresses. Don't be bothered by the shameless paparazzi. Forget the red carpet. I'm proud to present the first "Lights, Camera, ACTION!" blog awards ceremony! Here goes...
  • Best Film: "Nuovo cinema Paradiso" (This film exemplifies exactly what film should be. See my entry on "Cinema Paradiso" for my extensive accolades.)
  • The Ishtar Award: "The Bridge on the River Kwai" (7 Oscars, I know. How? I don't know. Just plain awful.)
  • Best Kiss/Love Scene: Toss Up! - "Chungking Express" (the airplane scene) & "Nuovo cinema Paradiso" (the kiss in the rain)
  • The Pound of Flesh Award: "Six Shooter" (Just brutal...)
  • Best Villain: "V For Vendetta" (Was V a villain? Not sure. Either way, he deserved some award...)
  • Best Class Discussion: "Jesus Camp"
  • Best Student Choice Film: Toss Up! - "V For Vendetta" & "Good Will Hunting"
  • Best Line of Dialogue: "And while I'm on the subject, let me say something about Harry Potter. Warlocks are the enemies of God! And I don't care what kind of hero they are, they're an enemy of God and had it been in the Old Testament, Harry Potter would have been put to death!" - Becky Fisher in "Jesus Camp" (Okay, so maybe this wasn't the best, but I had to.)
  • Best Short Film: "Piece By Piece" (Inspired another AoF-er and I to go buy our own Rubik's Cubes...)
  • Best Location: "Nuovo cinema Paradiso" (Just gorgeous...)
  • Best Outside Film: Toss Up! "27 Dresses" & "The Sisterhood of the Traveling Pants 2" & "Music and Lyrics"
  • Dynamic Duo Award: Toss Up! Eve Kendall and Roger Thornhill in "North By Northwest"
  • Best Bromance: Toto and Alfredo in "Nuovo cinema Paradiso"
  • Best Hair: Becky Fisher (Props to Andrew for this one... I have to agree with him here!)
  • Honorary Award: Gus Van Sant
  • Break in Continuity: "Elephant" (The part with the wet ground in one shot and not in another - I do love this film though...)
  • Most Challenged: Peter Lorre in "M" (I would assume it's hard for a regular actor to play a child murderer...)
  • Pure Champagne: "North By Northwest"
  • Awkward Award: "Rushmore" (Need I say more? It was awkwardly amusing, though...)
  • Film Crush Award: Salvatore from "Nuovo cinema Paradiso" (The scenes where he waits outside Elena's window make this a no brainer. That is the cutest thing ever.)
My awards might be slightly bias due to the fact that we just saw "Nuovo cinema Paradiso," but I did absolutely love it! I wish I could do more of these awards! Enjoy!

Thursday, January 29, 2009

"Nobody said it. This time it's all me. Life isn't like in the movies. Life... is much harder."

Nuovo cinema Paradiso
1988; Italy; 155 min.

Director: Giuseppe Tornatore
Screenplay: Vanna Paoli, Giuseppe Tornatore
Music: Ennio Morricone

Cast:
Maria Di Vita (Younger) - Antonella Attili
Spaccafico - Enza Cannavale
Anna - Isa Danieli
Usher - Leo Gullotta
Salvatore 'Toto' Di Vita (Teenager) - Marco Leonardi
Maria Di Vita (Older) - Pupella Maggio
Elena Mendola - Agnese Nano
Father Adelfio - Leopoldo Trieste
Salvatore 'Toto' Di Vita (Child) - Salvatore Cascio
Blacksmith - Tano Cimarosa
Village Idiot - Nicola Di Pinto
Lia - Roberta Lena
Peppino's Father - Nino Terzo
Salvatore 'Toto' Di Vita (Adult) - Jacques Perrin
Alfredo - Philippe Noiret

I absolutely love this film! Although I didn't see the end yet, I do feel that I can give a valid opinion about it. (I need to see the end of this film ASAP!) This is definitely one of my favorite films ever. I was hooked from the very first day we watched this in class. The film was so incredibly charming and enchanting. I really just can't praise this film enough! I guess I'll use this blog post to talk about what aspects of this film that I loved...
  • Casting: All of the three Salvatores were so brilliantly selected. The young Salvatore was absolutely adorable. The teenage Salvatore was gorgeous. The older Salvatore's appearance was indicative of a full life. I guess I mean that the older Salvatore seemed to have experience a lot in his life - he was somewhat hardened by war and troubles. Alfredo (Philippe Noiret) was just fantastic in his role. The film chemistry between all of the characters was just plain outstanding.
  • Plot: If I didn't reiterate it enough already, I thought that this film was just brilliant. The plot was unique and extremely enjoyable. I loved the non-linear structure and the way that the plot went back and forth between the present and the past. The love story was captivating. The scene with Elena (Agnese Nano) and Toto kissing in the rain was particularly amazing. I also loved the part where Alfredo moves the film from inside to outside the square. The music that is played during that sequence along with the film itself just made my jaw drop.
  • Cinematography: Some of the shots of Italy were just breathtaking. I was completely in awe. This film makes me want to pack up and move to Italy.
I think I've already expressed enough about this film. I highly recommend it to anyone and plan to buy it soon and watch it many times!

iRate: 5/5 films
Trailer: Click here!

Saturday, January 24, 2009

"Doctors... Lawyers... never get past 60 thousand rupees. He's won 10 million."

Slumdog Millionaire
2009; UK; 120 min.

Director: Danny Boyle, Loveleen Tandan
Screenplay: Simon Beaufoy, Vikas Swarup
Music: various artists

Cast:
Jamal Malik - Dev Patel
Prem Kumar - Anil Kapoor
Sergeant Srinivas - Saurabh Shukla
Director - Rajendranath Zutshi
Vision Mixer - Jeneva Talwar
Latika - Freida Pinto
Police Inspector - Irrfan Khan
Youngest Salim - Azharuddin Mohammed Ismail
Youngest Jamal - Ayush Mahesh Khedekar

I had heard amazing things about "Slumdog Millionaire." I think that whenever you go into a film with high expectations, it's hard to come out of the film absolutely loving it (case and point, "Casablanca"...). I really did enjoy "Slumdog Millionaire," but I didn't think that it was the best film I've ever seen in my life. I went to go see the film with two other film students, and we had a lot of fun talking about it afterwards and thinking about it from a film perspective. "Slumdog Millionaire" is the non-linear story of Jamal Malik (Dev Patel) and his rise from the slums. Eventually, Jamal ends up on his country's version of "Who Wants To Be A Millionaire?" and that's where the story begins. He is being questioned by the police and is being tortured because no one can believe that Jamal could have achieved what he did on the show without cheating. As the audience is taken through the show, we learn how Jamal knows the answers to all of the questions. We flashback to his traumatic childhood and the rest of his life. I cannot comprehend people who have called this a feel-good film. As one of my friends said after watching it, "This makes me feel horrible about myself." And it does. Jamal's childhood is absolutely brutal and upsetting. The story does have a sort of decent resolution for Jamal. The film ends with the credits and a Bollywood-style music video, which I thought was inappropriate at the time. I did enjoy the little video though. 

I definitely overlooked the costumes and sets while I was watching this film. Everything looked so real that I just disregarded it (I don't know if that makes sense...). It's hard to imagine all of the work that went into those aspects of the film. Everything looked absolutely effortless and smooth. The scenery and costumes were so perfect for the film. The cinematography was great. The film was filled with canted angles. It was actually ridiculous how many there were. Considering the fact that canted angles are supposed to show characters in distress, the shots were apropos to the plot. The soundtrack to the film was pretty good. I was a little taken aback when "Paper Planes," by M.I.A., started playing in the background. My fellow filmers and I all started laughing in confusion. The lyrics of the song did somewhat apply to the events in the film. It was just shocking to see such a commercial, mainstream song about drugs being played while two little boys were begging and riding on trains.

I really did enjoy this film a lot. When you step back and consider all of the factors that went into this film in particular, it's amazing how smooth this film looks. I love the plot about the game show and the structure of the film. In psychology, we learned about something called group polarization. (I know this doesn't directly relate to my blog but I had to post it.) Group polarization is when your opinions are further enhanced when discussing an issue and sharing like opinions with a group of people. I think that what happened while writing this post was a bit of blog polarization. While at the beginning of this film I was somewhat enthusiastic about "Slumdog Millionaire," now I'm sort of like, "Wow! This was actually amazing!" The idea of blog polarization is my contribution to the blogging world, I guess... So on that note, I would definitely recommend "Slumdog Millionaire," but be warned, this is not a feel good film (unless you're the sadistic type and enjoy seeing people being blinded and beaten...)!

iRate: 4.5/5 answers (Oh, blog polarization!)
Trailer: Click here!

Thursday, January 22, 2009

"Can I have my ball back?"


Il Supplente (The Substitute)
2006; Italy; 15 min.

Director: Andrea Jublin
Screenplay: information not available
Music: information not available

Cast:
Il Piccolo Lard - Valentino Campitelli
La Poetessa - Arianna Dal Buono
Il Lecchino - Lorenzo de Cicco
Caverna Fabrizio - Nicola De Feo
Impiegati - Pasquale Garofalo
Il Supplente - Andrea Jublin

A short film about an unlikely substitute teacher, "Il Supplente," was sort of amusing and a pretty good watch. I thought that the acting by Andrea Jublin, who played Il Supplente, was great. However, this was definitely not my favorite short film. Throughout the course, short films have become increasingly interesting to me. Making a short film is extremely difficult. I think that in some ways, short films are even harder to make than a full-length film. The directors and writers are forced to get their point across in a rapid, concise manner. I think that short films are definitely under-appreciated. I've personally gained such a greater appreciation for short films!

iRate: 2.5/5 children
Trailer: Click here!

Saturday, January 17, 2009

"Do not speak to me of rules. This is war! This is not a game of cricket!"

The Bridge on the River Kwai
1957; UK; 151 min.

Director: David Lean
Screenplay: Pierre Boulle, Michael Wilson, Carl Foreman
Music: Malcolm Arnold

Cast:
Cmdr. Shears - William Holden
Maj. Warden - Jack Hawkins
Col. Nicholson - Alec Guinness
Col. Saito - Sessue Hayakawa
Maj. Clipton - James Donald
Lt. Joyce - Geoffrey Horne
Col. Green - Andre Morell
Capt. Reeves - Peter Williams
Maj. Hughes - John Boxer
Pvt. Grogan - Percy Herbert

iRate: .5/5 bridges
Trailer: Click here (if you dare)!

Thursday, January 15, 2009

The Results Are In...

Not a big turnout in this poll, but better luck next time! Here are the results...

Question: What is your favorite short film from class so far?
Answer:
  • How To Do The Asian Squat (25%)
  • The Mozart of Pickpockets
  • Six Shooter (25%)
  • Are You the Favorite Person of Anybody?
  • Piece By Piece (25%)
  • Peter and The Wolf (25%)
  • Lilo & Me
  • The Big Empty
Thanks for voting!

Sunday, January 11, 2009

"Winner, winner, chicken dinner!"

21 
2008; USA; 123 min.

Director: Robert Luketic
Screenplay: Peter Steinfeld, Allan Loeb, Ben Mezrich
Music: David Sardy

Cast:
Ben Campbell - Jim Sturgess
Prof. Micky Rosa - Kevin Spacey
Jill Taylor - Kate Bosworth
Choi - Aaron Yoo
Kianna - Liza Lapira
Jimmy Fisher - Jacob Pitts
Cole Williams - Laurence Fishburne
Terry - Jack McGee
Miles Connoly - Josh Gad

"21" is the true story of five students from MIT who count cards playing blackjack. When Prof. Micky Rosa (Kevin Spacey) encounters Ben Campbell (Jim Sturgess) in his math class, he quickly realizes that Ben is extremely smart. Ben is a hardworking student who wants to go to Harvard Med upon graduation from MIT. The only problem is that he doesn't have the money to afford the $300,000 tuition. His only chance for affording Harvard Med is a prestigious scholarship. Even though Ben has an extremely impressive academic record (1530 on his SATs, 4.0 GPA from MIT, 44 on his MCATs...), so do the other applicants for the scholarship. Ben needs something that will "jump off of the page" and "dazzle" the interviewer. There's nothing in Ben's life that really stands out, so when Professor Micky Rosa offers Ben the chance to join his underground blackjack team, Ben jumps at the chance. The team teaches Ben how to count cards - he catches on quickly enough to be designated as their team's captain. On the weekends, Ben and the team go to Vegas with Micky to play the system and make hundreds of thousands of dollars. The plot gets quite interesting when it seems like someone in the casino is beginning to catch onto Ben and the team.

I was extremely impressed with the camerawork in the film. I thought that some of it was reminiscent of Gus Van Sant's. The shots were precise and the high speed chases were filmed beautifully. The film actually reminded me a lot of "Good Will Hunting" - it's probably because it deals with MIT and Boston, though. I absolutely loved this film! I think it's a great story and the cast is wonderful. This had to definitely be one of my favorites! I would highly recommend this film to anyone - it's a truly fun film to watch!

iRate: 5/5 chips
Trailer: Click here!

Saturday, January 10, 2009

"Wow... you guys are like little Cusinarts, aren't ya?"

The Chubbchubbs!
2002; USA; 6 min.

Director: Eric Armstrong
Screenplay: Jeff Wolverton
Music: Chance Thomas

Cast:
Meeper (voice) - Bradford Simonsen
ChubbChubbs (voice) - Jeff Wolverton
Glorfs (voice) - Justin Adair, Eric Armstrong, Yakov Baytler, Mary Biondo, Sumit Das, Layne Friedman, Robert Gordon, Sully Jacome-Wilkes, Franco Pietrantonico, Rick Richards, Chance Thomas, Julie Zackary
Singing Diva (voice) - Mortonette Jenkins
Zyzaks (voice) - Peter Lurie
Bouncer (voice) - Rick Zieff

"The Chubbchubbs!" is a cute little film about an alien janitor (Bradford Simonsen - voice) who aspires to be a great singer. He has a little crush on the Singing Diva (Mortonette Jenkins - voice) at the "Ale E Inn." When he hears that the Chubbchubbs are invading, he tries to warn the people in the Inn, but they don't listen to him. When the Chubbchubbs finally come, everyone is in for a surprise in an ironic twist. I would recommend this film as a really fun short film!

iRate: 4/5 mops
Trailer: *Since the film is so short, just click here to watch the whole thing!

Friday, January 9, 2009

"... shoot the dog..."

Inja
2001; Australia & South Africa; 17 min.

Director: Steve Pasvolsky
Screenplay: Steve Pasvolsky
Music: Ilan Kidron

Cast:
Young Thembile - Anele Vellom
Older Thembile - Lizo C. Makambi
Johannes - Danny Keogh
Hettie - Terry Norton
Angelina - Mantoa 'Kuku' Mamputa
Dora - Nomasomi Fini
Friend on bicycle - Kulule Salman

Here's another short review for a short film... "Inja" was an interesting film about the relationship between Thembile (Anele Vellom and Lizo C. Makambi) and Johannes (Danny Keogh). The film begins with Thembile as a young boy witnessing a dog being beaten by Johannes. After a notable shift in the country's political power signified by a change in the flag on the flag pole, the roles are reversed. "Inja" is a unique film for discussion and brings about many ideas and possible symbolic meanings such as apartheid in Africa. I would recommend the film as a good short film for discussion.

iRate: 2.5/5 dogs
Trailer: information not available

Thursday, January 8, 2009

"A house that is neglected is a house that may be doomed in the atomic age."

The House in the Middle
1954; USA; 13 min.

Director: information not available
Screenplay: information not available
Music: information not available

Cast:
information not available

Here's a short review for a short film... Produced by the Federal Civil Defense Administration and the National Clean Up-Paint Up-Fix Up Bureau, "The House in the Middle" is a short public service announcement film. I found it interesting to watch a film that happened to be a piece of American history. It was amazing to see the perspective that these people had on the atomic bomb. Ultimately, I found this film to be very dated (obviously), and therefore, I had trouble staying interested throughout the film.

iRate: 1/5 houses
Trailer: *Since the film is so short, just click here to watch the film.

Wednesday, January 7, 2009

"The ball is round, a game lasts 90 minutes, everything else is pure theory. Off we go!"

Run Lola Run
1998; Germany; 81 min.

Director: Tom Tykwer
Screenplay: Tom Tykwer
Music: Reinhold Heil, Johnny Klimek, Tom Tykwer

Cast:
Lola - Franka Potente
Manni - Moritz Bleibtreu
Vater - Herbert Knaup
Jutta Hansen - Nina Petri
Herr Schuster - Armin Rohde
Norbert von Au - Joachim Krol
Herr Meier - Ludger Pistor
Frau Jager - Suzanne von Borsody
Mike - Sebastian Schipper
Doris - Julia Lindig
Herr Kruse - Lars Rudolph

"Run Lola Run" is an amazing film! The cinematography in the film was quite outstanding and different from anything that I have seen before. The story is like a German criminal version of "Groundhog Day." The plot, which repeats three times throughout the course of the film, deals with Lola (Franka Potente) and Manni (Moritz Bleibtreu) trying to get money to pay someone back.

At one point in the film, we see Lola and Manni lying in bed through a red filter. It is at this point when Lola realizes that she loves Manni and that she needs to make a decision. Throughout the film, one thing that really stood out was Lola's red hair. It almost makes her like a superhero. When we see Manni and Lola in the bed scene, Lola's hair blends in with the rest of the scene. She is, in this scene, "normal". The audience is able to get a more personal view of the "real Lola." The red filter allows the audience to look past Lola's red hair and superhero persona and see who she really is. In addition to the red filter, there were many cinematic elements that were new to me. I liked the series of camera clicks in the scenes. I also like the animations of Lola as a cartoon character. The music, especially the song "Wish," really added to the film. The lyrics, in particular, were quite apropos to the events of the film.

An idea in this film that I found really interesting was the domino effect. In the beginning of the film, the audience actually sees a shot of dominoes falling. Throughout the film, we see Lola's life affecting the lives of others. I think that the film is about being in the right place at the right time. It's about interconnectedness and truly shows that everything is about timing - when and where. I think that this is such a powerful idea. I would highly recommend this film - it is a thought-provoking and challenging plot, yet quite rewarding. The brilliant cinematography also adds to the allure of this fantastic film.

iRate: 5/5 camera clicks
Trailer: Click here!

Sunday, January 4, 2009

"In the mean time, I'm going to get the government to do my laundry."

Sicko
2007; USA; 123 min.

Director: Michael Moore
Screenplay: Michael Moore
Music: Erin O'Hara

Cast:
Michael Moore - Himself
Tony Benn - Himself
George W. Bush - Himself (archive footage)
Reggie Cervantes - Himself
Bill Clinton - Himself (archive footage)
Hillary Rodham Clinton - Herself (archive footage)
John Graham - Himself
William Maher - Himself
Richard Nixon - Himself (archive footage)
Linda Peeno - Herself

My economics teacher showed us "Sicko" in class - I was therefore forced to watch it. The documentary deals with the health care industry in America. Moore exposes how many people who desperately need treatment aren't getting it. To prove the point of how corrupt America's healthcare industry is, Moore takes his audience to Canada, France, Britain, and Cuba to examine their healthcare systems. The information presented in the film is actually pretty interesting. My main problem with "Sicko" is this information in the documentary is so skewed. Moore definitely only shows information to prove his point. I know the point of a persuasive documentary is to persuade and to prove your point accurate. Moore's information just seems so unbelievable. Maybe it is true. I just know there are some parts that were left out. Ultimately, the point of the documentary (that the American healthcare system is flawed) does shine through.

Moore's documentary does bring about an interesting topic (universal healthcare). I haven't seen any other films by Moore, and after "Sicko," I'm not exactly running to do so. (I saw on IMDB that he's releasing a new untitled film this year... woohoo.) Anyhow, I think that while Michael Moore is a bit annoying to watch, the film does have some educational value.

iRate: 2/5 prescriptions
Trailer: Click here!

Friday, January 2, 2009

"My name is Harvey Milk, and I'm here to recruit you!"

Milk
2008; USA; 128 min.

Director: Gus Van Sant
Screenplay: Dustin Lance Black
Music: various artists

Cast:
Harvey Milk - Sean Penn
Cleve Jones - Emile Hirsch
Dan White - Josh Brolin
Jack Lira - Diego Luna
Scott Smith - James Franco
Anne Kronenberg - Allison Pill
Mayor George Moscone - Victor Garber
State Senator John Briggs - Dennis O'Hare
Dick Pabich - Joseph Cross
Rick Stokes - Stephen Spinella
Danny Nicoletta - Lucas Grabeel
Jim Rivaldo - Brandon Boyce

At the beginning of my Art of Film course, we were asked to fill out questionnaires about our film tastes. On that survey, one of the questions was asking about our favorite directors. I had absolutely no clue what to write - I probably didn't write anything. I didn't have one person in mind. I had favorite films, but I wasn't interested in what went on behind the scenes. I learned, however, that the director, whether an auteur or not, truly makes the film. When I saw that Gus Van Sant had a new film out, I had to see it. I absolutely loved both "Elephant" and "Good Will Hunting," which were two films he directed that we viewed in class. 

"Milk" is the true story of the first openly gay politician from San Francisco, Harvey Milk (Sean Penn). The film documents his journey to gaining political power from the very beginning. (SPOILER ALERT) The viewer is first told that Milk gets assassinated by fellow politician, Dan White (Josh Brolin), and throughout the film Milk is intermittently leaving an audio recording telling his own story. Milk teams up with Cleve Jones (Emile Hirsch), Anne Kronenberg (Allison Pill), and others in his shop, Castro Camera, to plan his political career. "Milk" also tracks the sweet, heartwarming, and genuine romantic encounters of Harvey Milk with both Jack Lira (Diego Luna) and Scott Smith (James Franco).

Homosexuality in film is a very touchy subject. I'm sure many people will reject "Milk" for this aspect alone. I was wondering how "Milk" would be received in more conservative areas of the country, and other parts of the world. I thought that both the acting and the script allowed for an appropriate portrayal of just pure love. I think that regardless of orientation, the audience was able to appreciate the fact that the couple just really loved each other. I liked the fact that the characters weren't stereotypically flamboyant homosexuals, which sometimes happens with gay characters. I was wondering while watching the film if there was a bias portrayed. After seeing "Jesus Camp," it's been hard for me to see a film and not think about bias. I came to the conclusion that there really is no bias or perspective on homosexuality in the film. I really don't think the film offends heterosexuals or homosexuals. Ultimately, if you judge the film and refuse to see it based on the plot alone, you'll miss out on beautiful cinematography and a hit from Gus Van Sant.

Gus Van Sant is simply amazing. I absolutely love the cinematography in his films, and "Milk" was no exception. The shots in "Milk" were outstanding. There's one particular scene that I was watching in the theater in awe. The homosexual community of Castro in San Francisco has this signal, that when any riot breaks out, they'll blow whistles to signal each other. When one riot breaks out, the camera zooms in on a close-up shot of a shiny silver whistle on the ground. In the round part of the whistle, you watch a reflection of what is happening on the street - the police are questioning a homosexual man. I think that this shot is just so innovative and definitely attests to Van Sant's greatness. Van Sant builds suspense in the film when Milk is about to give one of his public speeches. Milk receives a post card that informs him the he will be shot the minute that he gets up on the podium to deliver his speech. Van Sant creates this moment with his audience in shock. I was sitting on the edge of my seat waiting for something to happen when, ultimately, Milk delivers his speech unscathed. When Mayor George Moscone (Victor Garber) is assassinated, you can barely see the gun in the corner of the screen. If you blink once, you'd probably miss it. After that shooting, we follow the assassin to his next victim in a replica shot of the way that "Elephant" tracks people from behind. I almost died when I saw it - it was so signature Van Sant. How about them apples? Anyhow, another part of the cinematography that I loved was the incorporation of real videos and old news reports into the film. The real footage laced into the plot reminded you that this story was, in fact, true. I loved how in some scenes, such as one of the last ones of a memorial march, you're watching the scene in the moment in the film and Van Sant slowly fades into the old footage. However, the old footage is reproduced so brilliantly that you hardly realized that you're watching old videos. One thing that I did notice in "Milk" was a little slip up. At one point in the top center of the screen, you could see one of those microphones that hang overhead. I didn't mind though - I guess I just find it amusing that no one noticed it prior to releasing the film. As I was watching this movie, I decided something about Van Sant. All of Van Sant's films are truly meant to expose. I have felt that this is true in "Milk," "Elephant," and "Good Will Hunting." Overall, I just have so much respect for Van Sant as a master of his trade.

The casting in this film was definitely a contributor to its success. Every actor played their part fabulously and realistically. At the end of the film, the audience is shown pictures of each of the people in the film and their real life counterpart. The ironic thing is that the actors and the people looked almost identical most of the time. The physical resemblance was not the only reason for the success of the casting. I think that the character development was executed beautifully in the film. I felt connected to the characters, especially Milk, at the end. This connection that is built between the characters and the audience makes the symbolic ending all the more powerful and tragic - I was almost trembling in my seat and my friend had tears streaming down her face. By the end of the film, I was so interested in the whole topic. I had never heard of the issues that went on in San Francisco before. The film made me want to go research the topic and read as much as I could about it (I'm in the process of researching...). I think that "Milk" is such a success as a film because of this. "Milk" brought me into a whole world that I hadn't been exposed to before. "Milk" is demonstrative of the power of a good film to influence and persuade.

Throughout the film, there were many profound Harvey Milk quotes that I found to be quite inspiring and amazing. I've decided to list some of them below:
  • Without hope, life's not worth living.
  • All men are created equal. No matter how hard you try, you can never erase those words.
  • You're going to meet the most extraordinary men, the sexiest, brightest, funniest men, and you're going to fall in love with so many of them, and you won't know until the end of your life who your greatest friends were or your greatest love was.
  • Burst down those closet doors once and for all, and stand up and start to fight.
Much talk has been circulating this film. I saw an interesting point that was brought up about "Milk" and California's Prop 8. I wonder if this film was released earlier if it would have influenced the result of Prop 8. Also, "Milk" is said to be in contention for an Oscar this year. Critics have also said that "Milk" might be the best film of the year. I hope that "Milk" wins the awards that it deserves. 

I could really go on and on about this film. I could post scenes and do mise-en-scene analyses. I'm truly so enthusiastic about this film. I think that's it's politically an important film to see. It's vital, in my opinion, to educate yourself about others' lifestyles and about history. In no way is this film limited to a homosexual audience. As a straight person, I was able to thoroughly appreciate the film. I would highly recommend "Milk" to anyone - it's an amazing documentary that should be seen!

iRate: 5/5 posters
Trailer: Click here to watch the trailer & begin experiencing one of the greatest films I've ever seen!

Thursday, January 1, 2009

"It's like that thing Jon Bon Jovi said: 'No man is an island.'"

About A Boy
2002; UK; 101 min.

Director: Chris Weitz, Paul Weitz
Screenplay: Nick Hornby, Peter Hedges, Chris Weitz, Paul Weitz
Music: Damon Gough

Cast:
Will - Hugh Grant
Marcus - Nicholas Hoult
Christine - Sharon Small
Imogen - Madison Cook
Imogen - Jordan Cook
John - Nicholas Hutchinson
Barney - Ryan Speechley
Barney - Joseph Speechley
Fiona - Toni Collette

I'm sort of on a mission to watch every film that Hugh Grant has been in. He definitely has to be my favorite actor... ever. I was excited to see what Hugh Grant had to offer in this film. The plot begins with Will (Hugh Grant), a bachelor who sits around and really does nothing. Will is able to remain unemployed and live comfortably because his father wrote a song, "Santa's Super Sleigh," and every time the song plays, he collects royalties for it. Parallel to Will's story, we meet Marcus (Nicholas Hoult), a young outcast at school whose mother (SPOILER ALERT) attempts suicide. When Will and Marcus cross paths, they end up forming a fun, interesting relationship. The eventual friendship between the two is absolutely adorable and quite heartwarming.

While this film may have not had the most sophisticated cinematography or plot line, I thought it was great and really enjoyed it. I would recommend this to anyone as a pretty light and quite fun film.

iRate: 4.5/5 CDs
Trailer: Check out the official website by clicking here!